Tea at Trianon: Tennyson for Everyone

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Tuesday, August 16, 2016

Tennyson for Everyone

From Interesting Literature:

Tennyson’s poem ‘The Lady of Shalott’ exists in two versions: a 20-stanza poem published in 1833, and the revised version of 19 stanzas – which is the one readers are most familiar with – which was published in 1842....The poem, partly inspired by Arthurian legend (hence the presence of the knight, Lancelot) and partly by the epic sixteenth-century poem The Faerie Queene written by Edmund Spenser, has been read variously as an allegory about the world of fancy and the world of reality, and as a reaction to the Industrial Revolution, with the idyllic world of magic and legend which Tennyson depicts being threatened by the arrival of new forces. Undoubtedly one of Tennyson’s greatest poetic achievements. (Read more.)