From LitHub:
In those days, however, the contemporary writers I admired usually devoted weeks and months to research and organization, writing and rewriting, before our articles were considered worthy of occupying the magazine space that today is filled by many of our successors in one tenth the time. And in the past, too, magazines seemed more liberal than now about research expenses.Share
During the winter of 1965 I recall being sent to Los Angeles by Esquire for an interview with Frank Sinatra, which the singer’s publicist had arranged earlier with the magazine’s editor. But after I had checked into the Beverly Wilshire, had reserved a rental car in the hotel garage, and had spent the evening of my arrival in a spacious room digesting a thick pack of background material on Sinatra, along with an equally thick steak accompanied by a fine bottle of California burgundy, I received a call from Sinatra’s office saying that my scheduled interview the next afternoon would not take place.
Mr. Sinatra was very upset by the latest headlines in the press about his alleged Mafia connections, the caller explained, adding that Mr. Sinatra was also suffering from a head cold that threatened to postpone a recording date later in the week at a studio where I had hoped to observe the singer at work. Perhaps when Mr. Sinatra was feeling better, the caller went on, and perhaps if I would also submit my interview to the Sinatra office prior to its publication in Esquire, an interview could be rescheduled.
After commiserating about Mr. Sinatra’s cold and the news items about the Mafia, I politely explained that I was obliged to honor my editor’s right to being the first judge of my work; but I did ask if I might telephone the Sinatra office later in the week on the chance that his health and spirits might then be so improved that he would grant me a brief visit. I could call, Sinatra’s representative said, but he could promise nothing. (Read more.)
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