Solzhenitsyn revisited. A review from Reid's Reader:
I’ve often
wondered how well the literary reputation of Alexander Solzhenitsyn (1918-2008)
will hold up in future years. He was awarded the Nobel Prize for literature in
1970. When his work first appeared in English, he was generally reviewed
positively and sometimes enthusiastically. Yet it was perhaps unavoidable that
he was always seen from a particular political perspective. He was the dissident writer of the late Soviet
era. I am old enough to remember that when his first exposes of the Gulag
Archipelago came out, there were still doctrinaire old Hard Leftists who, like
Holocaust-deniers, wanted to pretend that no such thing existed. Vigorous
attempts were made by Soviet officials to discredit him once he was settled in
the West (from 1974). Every so often, stories still appear telling us that
Solzhenitsyn was an anti-semite or that he had even cooperated with the KGB. But
he outlived the Soviet Union. He returned to Russia in 1994, four years after
the Soviet Union had become history.
But here is the
fate of a writer too closely identified with a certain point in the world’s
political history. Once that point is past, he fades out of the general
consciousness. Am I right in saying that Solzhenitsyn rarely comes up in
literary discussions now? And when he does, his reputation is very mixed. Even
when he was at the height of his popularity (in the West), some critics were
clearly annoyed that he had become a Christian and rejected the dogmatic
materialism in which he had been raised. There were others who situated him in
the tradition of Great Russian ethnic nationalism, and wondered where this
would lead him. Cold Warriors, who assumed that his critique of the Soviet
Union would lead him to embrace Western liberalism, were taken aback to
encounter a man who was as opposed to consumerism and the abuse of liberal
freedoms as he was to communism. When he returned to his homeland, Solzhenitsyn
saw Russia becoming a tacky copy of the West in the new age of Russian
capitalist oligarchs and gangsters. In his last years, he wanted a more
disciplined society and – in his mid-eighties – he endorsed the strong-arm
Russian nationalism of Vladimir Putin.
Oh well. A
writer can’t be right about everything and can’t always be an accurate prophet.
Solzhenitsyn died six years ago, but it’s at least possible that, if he were
still alive, he would have changed his mind about Putin. One hopes so.
After all this
throat-clearing, however, I come to this obvious assertion: it is by his
written works that we should judge a writer and, regardless of changed
historical circumstances, I think there is still much to be said for
Solzhenitsyn’s novels. One Day in the
Life of Ivan Denisovich remains a key text on imprisonment and the
survivalist mentality it produces. Cancer
Ward is a painful and dramatic confessional. August 1914 and its sequels are bracing post-Soviet rewritings of
revolutionary history. But the one I would pick out as the masterpiece is The First Circle, which Solzhenitsyn
wrote, on and off, over nine years, 1955 to 1964. Its 700-plus pages have a large and well-delineated dramatis personae. Its psychological
observation is acute. It takes in momentous events so that, even though it is
set in a constricted place and its action covers a mere three days, it has an
epic tone. More than one critic has remarked that it has the weight and feel of
a solid nineteenth century novel.(Read more.)
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