Tea at Trianon: The Old Metropolitan Opera House

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Wednesday, July 16, 2014

The Old Metropolitan Opera House

From Untapped Cities:

In April 1966, the last month of opera performances, New Yorkers affiliated with the opera house were still making attempts to save it. Ten days before what would be the last performance, a group of composers, actors, and musicians made a final effort to save the opera house. They planned to raise $8 million dollars to buy the opera house from the Metropolitan Opera Association but the association countered saying they would make almost double that amount of money if they leased it to a development firm. During the last opera performance, on April 16,1966, the conductor, Leopold Stokoski made a final and simple plea from the podium: “I beg you to save this magnificent house.” (Read more.)