As a musical form of monastic devotional literature, the collection of cantigas also presents the reader with orthodox theological teaching promulgated by the Church during the thirteenth century: such cantigas as 306 and 320, the former of which recounts the story of a heretic who is cleansed of his lack of belief in the virginity of Mary, and the latter praising Mary for restoring the goodness to earth that Eve had taken away, respond to the ecclesiastic debates and formation of doctrine that were taking place during these years of the Central Middle Ages. In response to the formation of Catholic dogma taking place at this time, Greenia very nicely states that Alfonso X designated himself a “national broker in the economy of salvation” and that “he seemingly felt that he owed it to his people to serve them in facilitating their salvation.” His Cantigas “formed an ongoing project for the religious welfare of the masses, and as an unobtrusive educational tool.” (Read entire post.)Share
The Last Judgment
5 days ago
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