From The Conversation:
ShareAs I write in my 2016 book, “The Sea in the Greek Imagination,” Greek literature discounts all the positive sensations of the beach and the sea and focuses on the negative ones in order to stress the discomfort the ancient Greeks felt about the beach and the sea in general.
For instance, Greek literature emphasizes the intense smell of seaweed and sea brine. In the “Odyssey,” an eighth century B.C.E. poem that takes place largely at sea, the hero Menelaus and his companions are lost near the coast of Egypt. They must hide under the skins of seals to catch the sea god Proteus and learn their way home from him. The odor of the seals and sea brine is so extremely repulsive to them that their ambush almost fails, and only magical ambrosia placed under their noses can neutralize the smell.
Similarly, while the sound of the waves on a calm day is relaxing for many people, the violence of storms at sea can be distressing. Ancient Greek literature focuses only on the frightening power of stormy seas, comparing it to the sounds of battle. In the “Iliad,” a poem contemporary with the “Odyssey,” the onslaught of the Trojan army on the Greek battle lines is compared to a storm at sea: “They advanced like a deadly storm that scours the earth, to the thunder of Father Zeus, and stirs the sea with stupendous roaring, leaving surging waves in its path over the echoing waters, serried ranks of great arched breakers white with foam.” (Read more.)


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