Last Sunday, I was invited to a house concert on the Chesapeake Bay featuring the internationally known Québécois band,
Genticorum. The music is Celtic; the words are in French; the combination is magical, transporting the listener to places far away. Yet the earthy, homey nature of the songs lends a warmth and familiarity to the performance, helped in no small manner by the charm and
joie-de-vivre of the artists themselves.
As the River Reporter commented:
Composed of Pascal Gemme, Alexandre de Grosbois-Garand and Yann
Falquet, Genticorum performs music that evokes Celtic reels, French
chansons and Cajun hijinks.
The Celtic reels may be a bit surprising, coming from a
French-singing group, but a lot of Scots settled in eastern Canada, too.
As for the Cajun connection, French Canada is the place from which
Louisiana’s “Cajuns” (the word “Cajun” comes from “Acadians”) emigrated.
Genticorum’s members play guitar, bass, fiddle, Jew’s harp and flute;
they stamp percussive rhythms while singing two- and three-part vocals.
The Washington Post said that their music “sounds as if it were made by
six people, not three.”(Read more.)
Genticorum was brought to Talbot County through
Carpe Diem Arts,
a non-profit organization dedicated to making the world of art, music and dance accessible to
all. The concert was held at the home of Busy Graham, the director of
Carpe Diem. The band played in a room lined with large windows
overlooking the Bay; the water, sky and sinking sun made for a
stunning backdrop to the presentation of the lively tunes. Being in such a setting, surrounded by magnificent music, made me feel like I was inside a poem, especially
a poem by Keats. "Charm'd magic casements, opening on the foam...." How true it is that fine music opens windows in the mind while soothing the soul, making both alive to all the possibilities.
Following the concert at Busy's house, there was a reception where the guests and artists lingered over food and wine, watching the sun disappear into the Bay. The evening ended with some excitement when my car became stuck in some rocks and three of the guests had to extricate it. Alex, one of the musicians of Genticorum, also helped.
Quelle gentillesse!
The next day, Genticorum played for the local school children, and the county newspaper reported the event, as follows:
In reality, Quebec, Canada, is not that far
from here, Busy Graham of Carpe Diem Arts told St. Michaels Elementary
and Middle schools students Monday, Sept. 9. A whole other world of
culture, language and art is just up the road, and the trio Genticorum,
a traditional music group made up of fiddle, guitar, wooden flute,
electric bass and “jew’s harp,” brought their engaging blend of French
melodies and folklore to a sea of upturned faces, curious ears and eager
imaginations.
The group has
traveled the world for over 800 concerts in more than 15 countries
sharing their vision of North American and European folk music culture
to audiences young and old. Artists
Pascal Gemme, Alexandre de Grosbois-Garand and Yann Falquet were no
novices at getting their student listeners into the beat with soft-shoe
stepping, clapping and learning “petites phrases” (little phrases) of
songs in French. During short question and answer sessions, one student asked if the group was famous ... and rich.
“We
don’t do this for the money,” said Falquet laughing. “We simply love
this music. A long time ago, we were students too, and we played and
earned a little money. Then we made a career of it. And we continue to
do all this for the music.”
Elementary
students had to get up out of their seats so their still-growing legs
and feet could touch the floor in time to the music. Middle school
students seemed reluctant, if not downright skeptical, of anything folk
and foreign. But it did not take long for Genticorum to get them out of
their seats as well, dancing in the aisles, and even on stage, to their
catchy tunes.
The group said many of
their songs were passed down to them from their ancestors, their
next-generation family and their Quebecois heritage. Some songs talked
of love and romance. Some songs spoke of maple syrup and yucky rodent
stew. The musicians reminded the children the words, so difficult for
their audience to understand in Genticorum’s native French, were not so
important as understanding the heart of their music – its lilting
melodies meant to impart the feeling of home and hearth, family,
history, and irreplaceable culture.
It
was a normal day at the office for Graham. With school and community
programs on the Eastern Shore, her locally-based nonprofit organization
Carpe Diem Arts is the moving force behind bridging cultural and
generational divides with the unique and the unusual. Groups like
Genticorum, whose performance was made possible by
Talbot County Arts Council
and St. Michaels Elementary and Middle school PTA, come to Royal Oak
for workshops, performance opportunities and celebrations. And they come
to share who they are through their vision of the arts.
So
while Quebec may seem as far away as the roots of folk music and
soft-shoe stepping, its distance is only as limited as one’s
imagination, Graham told students. (
Read more.)
The music of Genticorum celebrates both yesterday and today; it belongs to both the Old World and the New. It is known that the French spoken in Quebec is closer to the French of the seventeenth century than what is spoken in Paris today. I find this fascinating since I live in a part of the world where there are still people who speak the English of the seventeenth century.
It is also interesting that many of the Acadians (who became the Cajuns) may have originally came from Poitou, known after the French Revolution as the Vendée. In 2011,
The Guardian said of Genticorum:
This is a trio of young French-speaking Canadian musicians who started
out playing jazz and rock before switching to acoustic folk styles, and
now mix fiddles, wooden flute and foot-stamping percussion with guitar
and bass, treating both traditional songs and their own material with
sturdy, confident playing and good humour. The theme of the album is
travel and voyagers, though traditional songs about fur traders or
the perils of rowing on the Hudson Bay are interspersed with a slinky
fiddle dance tune dedicated to a cat or a waltz apparently inspired by
stoves and pans. This is a band with a quirky sense of humour and some
rousing songs, all in Québécois French; the harmony singing on Grand
Voyageur Sur La Drave and the driving, percussive instrumental Reel
Circulaire show why they deserve their growing international reputation. (Read more.)
There is more information on the albums of Genticorum,
HERE.
Some of their CD's are available from Amazon. I bought their newest CD and I can tell you it is great music for riding in the car with children. For one thing, if your children are studying French it will help them pick up the correct intonations. Most of all, it is upbeat and happy music, full of the pathos of the ages, yet eternally young.
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