Tea at Trianon: Sea Change

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Thursday, September 19, 2013

Sea Change

From Lapham's Quarterly:

Conrad says the love of the sea is in fact the love of ships, the thought coming to him in 1905 as an affectionate memory of the New South Dock as it was to be seen in the 1880s, “fifty hulls, at least, molded on lines of beauty and speed,” square-rigged and metal-plated, “moored all in a row, stem to quay, as if assembled there for an exhibition not of a great industry but of a great art,” such a sight as “no man’s eye shall behold again.” So too the sight of the United States Navy in San Francisco Bay between 1942 and 1945, its fleets assembled for war in the sublime and treacherous Pacific. Seventy years have come and gone, but I still can see ships of every then-known tonnage, armament, and design—aircraft carriers, destroyers, oil tankers, submarines, light and heavy cruisers, trawlers, minesweepers, PT boats—lying at anchor or getting underway on the turn of a morning’s tide. I didn’t know how to step a mast, or tell the difference between a sandbar and a reef, but I knew that the Battle of Midway was fought somewhere in the same degree of longitude that had seen the end of Captain Ahab, and I contrived to picture myself as somehow engaged in mankind’s age-old struggle with the mystery and power of the sea. (Read more.)