Tea at Trianon: Charles II: Art and Power

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Wednesday, April 24, 2019

Charles II: Art and Power

The Sea Triumph of Charles II by A. Verrio, 1674

Like his first cousin Louis XIV, Charles II of Great Britain understood the uses of art and theater. From The Royal Collection:

After over a decade of austere Cromwellian rule, the restoration of the monarchy in 1660 led to a resurgence of the arts in England. The court of Charles II became the centre for the patronage of leading artists and the collecting of great works of art, which served not only as decoration for the royal apartments but also as a means of glorifying the restored monarchy and reinforcing the position of Charles II as the rightful king. Old master paintings and spectacular silver furniture show the rich material world of Charles II's court and the role of the arts in the re-establishment of the Stuart monarchy. (Read more.)