Tea at Trianon: European Dress in Detail (1700-1915)

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Thursday, December 9, 2010

European Dress in Detail (1700-1915)

An exhibition in Los Angeles.

Fashioning Fashion: European Dress in Detail, 1700-1915 celebrates the museum's groundbreaking acquisition of a major collection of European men's, women's, and children's garments and accessories. The exhibition tells the story of fashion's aesthetic and technical development from the Age of Enlightenment to World War I. It examines sweeping changes in fashionable dress spanning a period of over two hundred years, and evolutions in luxurious textiles, exacting tailoring techniques, and lush trimmings.

Highlights include an eighteenth-century man's vest intricately embroidered with powerful symbolic messages relevant to the French Revolution; an evening mantle with silk embroidery, glass beads, and ostrich feathers designed by French couturier Émile Pingat (active 1860-96); and spectacular three-piece suits and gowns worn at the royal courts of Europe.

Also, at the same gallery are selections from the Resnick Collection:

While particularly famous for its important eighteenth-century French paintings—including works by François Boucher, Élisabeth-Louise Vigée-Lebrun, Jean-Honoré Fragonard—the Resnick collection also includes a variety of other European works by artists including Peter Paul Rubens, Francesco Guardi and Henri Lehman, as well as a rare religious composition by Jean-Auguste-Dominique Ingres

The exhibition also reflects the Resnicks' passion for sculpture, for example in works by Clodion, Jean-Antoine Houdon, and Nicolas-Sébastien Adam, among others.