Tea at Trianon: The 49th Parallel (1941)

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Saturday, April 27, 2024

The 49th Parallel (1941)

From Word and Song by Anthony Esolen:

Our Film of the Week, The 49th Parallel, was intended as a plea for help, from one friend to another. That is, the English, who of course had all the nations of the Commonwealth on their side, including that grand and unique nation of Canada, wanted the Americans to enter the war against the Nazi regime. Goebbels, misunderstanding quite badly both American feelings and American affection for our cousins across the ocean, thought that he could win the United States over to the German side.

By the time The 49th Parallel had made its way to the screen, however, the Japanese had bombed Pearl Harbor, and the United States was in the war on both fronts. So the immediate political use to which the director, Michael Powell, and the screenplay writer Emeric Pressburger wished to put the film had already been accomplished. And yet the film is quite moving and powerful as a tribute to the kind of nation that the Canadians wanted to be, at their best, and also as a gesture of gratitude and appreciation for their southern neighbor. For, as the voice-over says at the beginning of the film, the forty-ninth parallel is unique in the world. It is merely a line on the map, well over a thousand miles long. It marks no river or mountain range. It is undefended. It requires no defense. And my family and I speak now from over twenty years of experience: we love Canada, and though we see that the people of each nation think they know more about their neighbors than they really do, we are always struck by the welcome we receive there, and the good cheer of the people, especially of the common folk who live far from the cosmopolitan cities. (Read more.)