Once the location and conditions are right, a photographer then also needs a bit of good luck for the right sprites to happen at the right time.
“I was able to set up for this composition on a lakeshore during the height of activity and managed to capture a number of large, bright specimens from this part of the storm,” the photographer says. “Because the moonlight was interfering, the sprites appeared more magenta than red.”
As is often the case with photographs of auroras, a sad truth about sprite photography is that a camera can capture far more than the human eye can usually see. That said, sometimes if sprites are bright enough, they can be visible to observers on the ground.
“Though it was very quick, I did see the brighter parts of this one with my eyes,” Smith says. “They looked like white lines throughout the sky — they did not exactly look like what the camera captured.”
You can find more of Smith’s work on his website and Facebook. (Read more.)
The Last Judgment
4 days ago
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