Fairy tales often get a bad rap. Among politicians and activists, “fairy tale” connotes “fantasy,” as in Greta Thunberg’s rant at the U.N. Climate Action Summit: “We are in the beginning of a mass extinction, and all you can talk about is money and fairy tales of eternal economic growth.”Share
Yet fairy tales not only promise the hope that Thunberg rejects: they register each culture’s sociopolitical concerns, offering moral and practical solutions. Consider Charles Perrault’s 1697 tale of “Little Thumbling,” which depicts the poverty of French peasants, the greed of the rising moneyed class (the ogre), and the corruption of the court. For the little man, only cunning can save the day.
Or recall Jacob and Wilhelm Grimm, who collected and reshaped fairy tales during the Napoleonic wars, defiantly presenting a German tradition (take that, Boney). And in the twentieth century, the Nazis revised the Grimms’ classics to spread their own propaganda. In one chilling film, Little Red is saved from the wolf by an SS officer. Which brings us to one of Disney’s latest releases: Maleficent: Mistress of Evil (2019). As critics have observed, it seems overloaded with themes and subplots, from genocide to environmentalism to the history of the dark fey. Technically, it is not a great film. (Read more.)
The Last Judgment
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