The word “communism” needs to be used now, but it is misleading, and Bloch is partly responsible. Up until the late fifties, he was a supporter of both the Soviet regime and the German Democratic Republic (he fled East Germany for Tübingen in 1961, just as the Berlin Wall was being built). He called the Soviet Union of the 1930s “an achievement about which one can say with all one’s heart, yes, yes, yes,” and his defense of the show trials is obscene. Yet he never joined the Communist Party, and his writings placed him under its constant suspicion and occasional surveillance.Share
It was the religious dimension of Bloch’s thought that did so. It was apparent from his first book, The Spirit of Utopia, and led to the straining of friendships with Walter Benjamin, Theodor Adorno, and Louis Althusser, mandarins of what would be known as Western Marxism. Bloch’s use of Marx was selective and unorthodox. When he drew directly from Marx, it was not from the late “scientific” works of political economy like Capital, but from early letters that spoke romantically of humanity’s “dream” for a better life. This was Marx’s translation of Feuerbach’s projection theory of religion. Where the earlier thinker saw the Christian idea of God as the screen onto which we projected our intuition about human fulfillment, Marx cast that projection forward as the end of history. Bloch’s communism, if it should be called that, therefore verges on the mystical. He envisions a “communism of love” as the eschatological completion of our spiritual, not economic, development. (Read more.)
The Last Judgment
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