In his vastness and mobility, Chesterton continues to elude definition: He was a Catholic convert and an oracular man of letters, a pneumatic cultural presence, an aphorist with the production rate of a pulp novelist. Poetry, criticism, fiction, biography, columns, public debate—the phenomenon known to early-20th-century newspaper readers as “GKC” was half cornucopia, half content mill. If you’ve got a couple of days, read his impish, ageless, inside-out terrorist thriller The Man Who Was Thursday. If you’ve got an afternoon, read his masterpiece of Christian apologetics Orthodoxy: ontological basics retailed with a blissful, zooming frivolity, Thomas Aquinas meets Eddie Van Halen. If you’ve got half an hour, read “The Blue Cross,” the first and most glitteringly perfect of his stories featuring the crime-busting village priest Father Brown. If you’ve got only 10 minutes, read his essay “A Much Repeated Repetition.” (“Of a mechanical thing we have a full knowledge. Of a living thing we have a divine ignorance.”) (Read more.)
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