It is from the medieval Church and from her very life, the liturgy, that the custom of singing songs to the Christ child descends. The earliest noëls sprang directly from such chants as the Carolingian anthem Puer natus est and the O antiphons sung before the Magnificat at vespers during the octave leading up to Christmas. The word noël itself derives from the Latin natalis and appears in the form of the salute Noé! in Christmas Masses in the 12th century, meaning approximately “Hail, newborn one.” In the 13th century, the O antiphons emerged from the monastic choirs and took to the streets in the form we still know and love as Veni, veni Emmanuel. Many of the earliest Christmas songs that survive today are similarly bound to the liturgy and its language, often taking the form of what is called macaronic verse, in which Latin lines alternate with vernacular, with Bl. Heinrich Suso’s In Dulci Jubilo and the anonymous Célébrons la Naissance Nostri Salvatoris being particularly fine examples of the type. (Read entire article.)Share
The Last Judgment
5 days ago
1 comment:
I'm enjoying your blog very much. I just thought you might like a YouTube channel of liturgical music by the Oratory Choir. There is music from the whole liturgical year there, but they just put up a very pretty Rorate Caeli.
http://www.youtube.com/user/oratorychoir?feature=mhee
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