Tea at Trianon: A Review by Julianne Douglas

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Saturday, December 12, 2009

A Review by Julianne Douglas

Historical fiction writer Julianne Douglas, who earned her doctorate in French literature from Princeton University, has a penetrating review of The Night's Dark Shade. Here is an excerpt of Julianne's review:

Elena Maria Vidal's new novel, The Night's Dark Shade: A Novel of the Cathars (Mayapple Books, 2009) dramatizes the conflict between the Good Christians (otherwise known as the Albigensians or Cathars) and the Roman Catholic Church that roiled southern France throughout the twelfth and thirteenth centuries.

Raphaëlle de Miramande, a young heiress whose father and fiancé both die in the crusade against the Cathars, travels to the château de Mirambel to wed her cousin, Raymond de Tourmalet. Raphaëlle discovers only after she arrives that her intended and his family are themselves Good Christians--in fact, Raymond's mother, Esclarmonde, is a Perfecta, an ascetic spiritual leader who instructs the faithful and leads the sect's rituals. In accordance with Cathar beliefs (which considered material reality evil and procreation undesirable because it trapped spirits in physical bodies), the situation at Mirambel is irregular, to say the least. Esclarmonde, given over to fasts and conquering her body, shuns her husband, who lives in an open physical relationship with a serving woman; Esclarmonde's son, Raymond, is a sexual deviant given to violent outbursts and bullying; tenants cohabitate without the blessing of marriage and rid themselves of unwanted children both before and after birth. Horrified by what she witnesses and unwilling to repudiate her Catholic faith, Raphaëlle refuses to marry Raymond, forcing her uncle, who desires to gain control of her lands, to imprison her until she agrees to wed his son.

Romantic feelings for Martin de Revel-Saissac, a knight of St. John pledged to celibacy but renowned for breaking hearts, complicate Raphaëlle's plight. Rescued for a time from her uncle's castle, Raphaëlle weds a different man, but her penchant for Martin prevents her from making a sincere effort to fulfill her marriage vows. Raphaëlle struggles with reconciling the notion of romantic love, promoted by the troubadours, with the self-giving and faithfulness that undergird a sacramental marriage. Like the Cathars, whose efforts to transcend the body reduced sexual relations to physical functions devoid of unifying sacredness, Raphaëlle's obsession with the unattainable Martin endangers her emotional connection with her husband and threatens to destroy the marriage she has vowed to uphold....(Read entire article)