From Joseph Bottum at Poems Ancient and Modern:
A sense of doom has always been part of the human condition, of course. How could it not? Order always succumbs to chaos. Written into history is a tale of cataclysm. Written into the natural world is a story of entropy. Written into the self is awareness of death and decay. If we had no sense of transience and fragility, we would lack a piece of human experience — just as we would lack a piece if we had no sense of invention, progress, and improvement.Share
Still, some eras seem especially prone to a feeling of dissolution and dismay, with others given over to pride and progress. What is interesting about the 19th and 20th centuries is that they seemed to have both. Even as it climbed from height to height, the modern age was haunted by a sense that order — beauty, truth, the ceremonies of innocence — were being overwhelmed by some new barbarism. An old order was giving way to something new and strange.
“This Birth was / Hard and bitter agony for us, like Death, our death,” as T.S. Eliot imagines the Magi saying at the death of the pagan age and birth of the Christian, after they had seen the Christ child. “We returned to our places, these Kingdoms, / But no longer at ease here, in the old dispensation.” From Matthew Arnold’s “Dover Beach” to C.P. Cavafy’s “Waiting for the Barbarians” and Eliot’s own The Waste Land, plenty of modern poems hold a sense of a collapsing age, the failure of order and meaning. And the most famous, the most often quoted, may be “The Second Coming,” by William Butler Yeats (1865–1939). (Read more.)
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