A place for friends to meet... with reflections on politics, history, art, music, books, morals, manners, and matters of faith.
A blog by Elena Maria Vidal.
"She was not a guilty woman, neither was she a saint; she was an upright, charming woman, a little frivolous, somewhat impulsive, but always pure; she was a queen, at times ardent in her fancies for her favourites and thoughtless in her policy, but proud and full of energy; a thorough woman in her winsome ways and tenderness of heart, until she became a martyr."
"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."
"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."
~Edmund Burke, October 1790
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The Louis XVI style furniture – also known as Neo-Classical – was greatly influenced by the excavations at Pompeii and Herculaneum. The classical architectural elements of columns and pediments were adapted for use on furniture, a definite departure from the more stylistic approach of the Louis XV period.
Where the Louis XV style is very asymmetrical, the opposite holds true for Louis XVI. Symmetry was dominant throughout this era, with the chairs favoring straight legs and well-defined joints. Canopy beds were in vogue as well. According to Artquid, “The beds most frequently seen are the lits à la polonaise with a domed canopy and the lit à la duchesse, having a rectangular canopy supported from the ceiling.
Other popular pieces during this time period were the square-backed fauteuil, semi-circular commodes, tripod stands and athéniennes tables. Among the popular motifs of the Louis XVI period are columns, pilasters, wreaths, drapery, urns and ancient mythology.
The decline of the extravagant Louis XV style began just before the American War for Independence. The Louis XVI style ended by 1792 amid the growing unrest and riots of the French Revolution.
In general, the evolution of the four Louis reigns followed a simple pattern. Louis XIII furnishings were a push to create more elaborate furniture than that of the Renaissance Era. After Louis XIII, in the Louis XIV reign, furniture grew more elaborate and even more intricate in the Louis XV reign. The designs finally moderated during the Louis XVI reign when style tempered and grew more conservative. While this general pattern helps apply a simple model of understanding to the four styles, it’s important to note that even though style is less excessive in the Louis XVI reign, furniture was still produced by a handful of artisans, with expensive materials, for the very rich.
Such elegance in the purity of its lines; the neo classical(Louis XVI) style withstands the test of time throughout the centuries. It is amazing that in the great auction houses today the furniture made for the Crown of France(whether Louis XV or Louis XVI) still commands the highest prices. I guess the Kings of France had amazingly good taste!
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2 comments:
It seems many things were improving, with Louis XVI's reign, even the style of furniture.
Such elegance in the purity of its lines; the neo classical(Louis XVI) style withstands the test of time throughout the centuries. It is amazing that in the great auction houses today the furniture made for the Crown of France(whether Louis XV or Louis XVI) still commands the highest prices. I guess the Kings of France had amazingly good taste!
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