The French media outlet Radio France launched its investigation into the sketchbook after being contacted by a descendant of the original owner. The broadcaster claims that it was able to pull together enough evidence to back the descendant’s claim in “just a few weeks.” The discovery sheds a light on the slow progress of ongoing provenance research into objects that were acquired by French museums after 1933.
France’s ministry of culture issued a response to the evidence gathered by Radio France stating that neither the ministry nor the Palace of Versailles had not been aware that the item was stolen during the war. They promised to “continue their research on this notebook and have discussions with the descendants of the owners.”
The Palace of Versailles declined to comment.
The sketchbook dates from 1790 and is filled with rare drawings and notes, including preparatory materials for one of David’s most famous works, The Tennis Court Oath (1790). The painting, which was never finished, records a foundational event in the French Revolution. It belongs to the Palace of Versailles but is currently on display in the Louvre’s landmark exhibition “Jacques-Louis David,” until January 26. The sketchbook is not featured in the exhibition.
Once stolen by the Nazis, the sketchbook was sent to Germany. It was sold by Munich’s Karl and Faber gallery in 1943. It came into the hands of the German dealer and art historian Otto Wertheimer, who had himself fled Nazi persecution of the Jews in the 1930s. He settled in Paris in 1944 and became known for supplying French museums with important masterpieces at a time when an artwork’s provenance was rarely questioned. He sold the David sketchbook to the Palace of Versailles in 1951. (Read more.)
A place for friends to meet... with reflections on politics, history, art, music, books, morals, manners, and matters of faith. A blog by Elena Maria Vidal.
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Thursday, January 15, 2026
Jacques-Louis David's Sketchbook
From ArtNet:


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