To many casual visitors, this Madonna and Child, at first glance, looks similar to the Byzantine icon paintings, familiar to us from the Berlinghiero, on whose spiritual and artistic heritage it draws. Key elements of the Byzantine formula remain very much intact, including the gold backdrop signifying Heaven and the pose of Mary, cradling the Baby Jesus in her arms, her eyes firmly focused on Him, our God.
But look again. Something very different is happening here. Notice the balustrade along the bottom of the painting. It is not part of the frame. Duccio painted it as if to invite us to look in on this scene through the window of an inn in Bethlehem, not in Heaven—as if it is here, on Earth. (Read more.)
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