A place for friends to meet... with reflections on politics, history, art, music, books, morals, manners, and matters of faith.
A blog by Elena Maria Vidal.
Scrooge is not really inhuman at the beginning any more than he is at
the end. There is a heartiness in his inhospitable sentiments that is
akin to humour and therefore to humanity; he is only a crusty old
bachelor, and had (I strongly suspect) given away turkeys secretly all
his life. The beauty and the real blessing of the story do not lie in
the mechanical plot of it, the repentance of Scrooge, probable or
improbable; they lie in the great furnace of real happiness that glows
through Scrooge and everything around him; that great furnace, the heart
of Dickens. Whether the Christmas visions would or would not convert
Scrooge, they convert us. Whether or no the visions were evoked by real
Spirits of the Past, Present, and Future, they were evoked by that truly
exalted order of angels who are correctly called High Spirits. They are
impelled and sustained by a quality which our contemporary artists
ignore or almost deny, but which in a life decently lived is as normal
and attainable as sleep, positive, passionate, conscious joy. The story
sings from end to end like a happy man going home; and, like a happy and
good man, when it cannot sing it yells. It is lyric and exclamatory,
from the first exclamatory words of it. It is strictly a Christmas
carol. (Read more.)
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Courteous comments are welcome. If a comment is not published, it may be due to a technical error. At any rate, do not take offense; it is nothing personal. Slanderous comments will not be published. Anonymity may be tolerated, but politeness is required.
I would like to respond to every comment but my schedule renders it impossible to do so. Please know that I appreciate those who take the time to share their thoughts.