Marie-Antoinette and Music

From Royal Central:

Whilst musical talent in the eighteenth century was judged to be an appropriate feminine accomplishment, Marie Antoinette’s personal relationship with music was a special one, which reached far beyond mere natural inclination. Music proved to be in many ways, perpetually present, like a main character in her life story, giving parallel to key events or lending them at least, poignant expression. Her love and patronage of the music of the composer Christoph Willibald Glück, whose works she did much to promote in France, reaches back even further than Marie Antoinette’s birth, because the composer’s official inauguration in the role of composer of “theatrical and chamber music” took place in 1755 at a court ball at the summer palace of Laxenburg, when her mother, Maria Theresia, was roughly three months pregnant with her, the Empress’s fifteenth child.

When Archduchess Maria Antonia (“Antoine”) of Austria, the future Marie Antoinette was recorded as singing a French song as early as three-years-old, for the name day of her father, the Holy Roman Emperor Franz I, in 1759. She also met the young Wolfgang Amadeus Mozart, who gave his first concert at Schönbrunn Palace, the magnificent Habsburg summer residence on the outskirts of Vienna, in 1762, in the presence of the Empress and the Imperial Family, with the boy prodigy from Salzburg performing on the harpsichord. As Austrian Archduchess, Marie Antoinette’s young love of music was expressed in the painting of her at the spinet by Franz Xaver Wagenschön, a delightful image now part of the Kunsthistorisches Museum collections. The art is arresting, showing Marie Antoinette poised to turn the pages of her music, with one hand delicately resting on the keys. She is dressed in a day dress of blue satin, trimmed with fur, possibly of sable. It is proof, in any was needed, of her early commitment to what would be, a lifelong relationship. (Read more.)