Music for Holy Week and Easter

From The Imaginative Conservative:

Rossini’s setting of the scene of the Stabat Mater—whose text comes from a thrirteenth-century hymn possibly written by Pope Innocent III—comes a century and a quarter after the realization by his compatriot Vivaldi, and it is worlds apart in style as well as time. Drawing on the tradition of bel canto (“beautiful singing”) that he helped to make famous, Rossini’s effort is operatic in many sections, never more so than in the second movement, “Cuius animam gementem” (“Through her weeping soul”), in which the tenor sings, to a breezy tune, words of the utmost pathos. (Read more.)