Tea at Trianon: The Red Cap of Hermetics

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Tuesday, January 25, 2022

The Red Cap of Hermetics

From Daily Sabah:

In the aftermath of the French Revolution, Louis XVI, the last king of France, was depicted in many paintings with a "Bonnet Rouge" (Red Cap) on his head. However, what is the story of this red cap with its long apex bent over to the front, and why was it placed the head of the French constitutional monarch before he was executed?

[...]

In ancient Rome, freed slaves were dressed in a white cap called a pileus. Brutus, who betrayed Caesar, chose this cap, which symbolizes freedom, as an expression of Rome's return to the republic, and engraved it on the coin he minted. But this fez, which looks like the white cap worn by Albanians today, actually had nothing to do with the red Phrygian cap.

With the American Revolution, the pileus became an omen of revolutionaries, anarchists, and republicans. It resurfaced with the protests against the Stamp Act of 1765 when Britain imposed a direct stamped paper tax on the British colonies in America.

In particular, a figure of British parliamentarian John Wilkes – nicknamed the "Devil," and known for his support of the American rebels – with this cap became very popular among the rebels known as the "Sons of Liberty."

French anarchists, who inherited this symbol from the American Revolution, preferred the Phrygian cap instead of the pileus. Thus, this red hermetic cap became the symbol of the French revolutionaries and freedom from 1789 onwards. For example, in a sculpture made by French artist Joseph Chinard in 1794, representing the revolution and the republic, a Phrygian cap was placed on the head of a woman in Roman attire. (Read more.)