Friday, January 2, 2015

Ghosts of Versailles

Author and playwright Gareth Russell discusses his play, Gate of the Year. To quote:
Lifting characters who lived and died in the fading decades of the eighteenth century to set them adrift in the choppy currents of an imagined twentieth was not, strange to say, a particularly difficult process, but it was fascinating. I think I shall leave them, temporarily, with great reluctance. They have a way of settling under your skin, by leaping out to you across the centuries - they are so vivid, so relatable, I think, even in their oddity. There is something tangible about them; it's hard not to feel drawn toward them. Stephanie Dale, who plays Marie-Antoinette, and who has recently finished filming for the BBC series The Sparticle Mystery, reflects, "I am sympathetic towards her because of what she has had to endure emotionally. Growing up, her life was supposed to have been perfect and she had a terrible time with the press. One of my favourite lines is 'it was not a complete pleasure to live out the greatest fairy tale of the century.' Marie Antoinette has been hurt by publicity and she knew what people expected of her and her marriage, but she is also extremely strong for having the ability to endure it. The amount she takes on emotionally and physically in the course of this play is quite extensive and for this reason I admire her." As Marie-Antoinette hurtles towards a fate she would never have chosen for herself there is, to me anyway, something magnificent about the way she decides "not to go quietly into the night." In Stephanie's words, "She has chosen her destiny and chosen to take action which is an extremely admirable part of her personality."

Mercedes Sharma, who plays another female icon of the revolutionary era, liberal republicanism's "angel of assassination" Charlotte Corday, is another actress playing someone who goes down the rabbit hole as the Revolution engulfs them all. Throughout the rehearsal process, Mercedes has always maintained that her character is one of the most identifiable for modern audiences. "Having gotten to know the characters I still think they are the most relatable," she says. "I believe that convincing yourself that things happen for the greater good (something that Marat does throughout) is part of human nature. Charlotte is like all young people with a passion for something, her passion and dreams just happen to turn into her own personal living hell." (Read more.)

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