Tea at Trianon: A Poem about Brahms

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

~from History of the Guillotine by John Wilson Croker, 1844

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

Monday, May 27, 2013

A Poem about Brahms

From Pentimento:

I was thrilled to read this poem today at The Writer's Almanac. Whether or not Brahms and Clara Schumann had a sexual relationship has been speculated about for many years -- it is undeniable that they loved each other profoundly -- but, although they burned most of their correspondence, the evidence is against it. Brahms biographer Jan Swafford has suggested that, after the death of Robert Schumann in an insane asylum in 1856, the younger composer had the opportunity to propose marriage to Clara, but instead left her disappointed. The two remained friends, and Clara, one of the greatest pianists of her age, premiered many of Brahms's works.

The Intermezzi mentioned by Lisel Mueller are opp. 117, 118, 119. Brahms called the three op. 117 pieces, which he wrote while Clara was in her final illness, "cradle-songs of my sorrows." Here is the great German pianist Wilhelm Kempff playing op. 117, no. 1, with beautiful directness and simplicity. The piece was inspired by the text of a Scottish poem, "Lady Anne Bothwell's Lament," and Brahms inscribed in the score an excerpt from the poem in Herder's German translation. The English words are:

"Sleep soft, my child, now softly sleep;

My heart is woeful to see thee weep."